“Atlas” by Terisa Siagatonu
If you open up any atlas
and take a look at a map of
the world,
almost every single one of
them
slices the Pacific Ocean in
half.
To the human eye,
every map centers all the
land masses on Earth
creating the illusion
that water can handle the
butchering
and be pushed to the edges
of the world.
As if the Pacific Ocean
isn’t the largest body
living today, beating the
loudest heart,
the reason why land has a
pulse in the first place.
The audacity one must have
to create a visual so
violent as to assume that
no one comes
from water so no one will
care
what you do with it
and yet,
people came from land,
are still coming from land,
and look what was done to
them.
When people ask me where
I’m from,
they don’t believe me when
I say water.
So instead, I tell them
that home is a machete
and that I belong to places
that don’t belong to
themselves anymore,
broken and butchered places
that have made me
a hyphen of a woman:
a Samoan-American that
carries the weight of both
colonizer and colonized,
both blade and blood.
California
stolen.
Samoa
sliced in half
stolen.
California, nestled on the
western coast of the most powerful
country on this planet.
Samoa, an island so
microscopic on a map, it’s no wonder
people doubt its existence.
California, a state of
emergency away from having the drought
rid it of all its water.
Samoa, a state of emergency
away from becoming a saltwater cemetery
if the sea level doesn’t
stop rising.
When people ask me where
I’m from,
what they want is to hear
me speak of land,
what they want is to know
where I go once I leave here,
the privilege that comes
with assuming that home
is just a destination, and
not the panic.
Not the constant migration
that the panic gives birth to.
What is it like? To know
that home is something
that’s waiting for you to
return to it?
What does it mean to belong
to something that isn’t sinking?
What does it mean to belong
to what is causing the flood?
So many of us come from
water
but when you come from
water
no one believes you.
Colonization keeps
laughing.
Global warming is grinning
at all your grief.
How you mourn the loss of a
home
that isn’t even gone yet.
That no one believes you’re
from.
How everyone is beginning
to hear more about your
island
but only in the context of
vacations and honeymoons,
football and military life,
exotic women exotic fruit
exotic beaches
but never asks about the
rest of its body.
The water.
The islands breathing in
it.
The reason why they’re
sinking.
No one visualizes islands
in the Pacific
as actually being there.
You explain and explain and
clarify
and correct their incorrect
pronunciation
and explain
until they remember just
how vast your ocean is,
how microscopic your
islands look in it,
how easy it is to miss when
looking
on a map of the world.
Excuses people make
for why they didn’t see it
before.
Source: Poetry (April 2018)
Special thanks to my wife, Annie Nash, for bringing this
poem, this remarkable poet, to my attention.
Peter Adam Nash
No comments:
Post a Comment